Kendell Carter
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Effigy VII, 2016, 14ct gold plated shoes, Dimensions variable
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WE, 2015, Installation view
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Ottoman, 2013, Bronze and upholstered fabric with wood, 17 x 20 x 30 inches
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1341 Hood Lane, 2008, Herman Miller Eames Chair and ottoman re-upholstered in cotton, Dimensions variable.
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Meezus, 2014, Installation view
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WEave Painting (California Outlook), 2012-2013, Latex, enamel, acrylic and wood, 24 x 17 inches
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WEave Painting (First Layer), 2012-2013, Latex, enamel, acrylic and wood, 20 x 16 inches
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WEave Painting (I Like Euro Sport Wagons), 2012, Latex, wood, acrylic and aerosol, 44 x 22 inches
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WEave Painting (Love and Lust Alike), 2012, Latex, wood, acrylic and aerosol, 36 x 22 inches
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Untitled Relationships, Kendell Group, 2012, Latex, wood, acrylic, aerosol, shoelace, graphite on Duralar with raw cotton, stainless steel, du-rag, Dimensions variable
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Fresh Tag (fat tip), 2008, Acrylic, hardware and epoxy, 18 x 48 inches
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Kendell Carter, Round Drip Painting #6, 2009, Shoe laces and spray enamel on linen, 48 x 48 inches
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Drip Painting #29, 2009, Shoe laces and spray enamel on linen, 60 x 43 ½ inches
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WEave Painting (Cultural Charade, Critical Collapse), 2012, Latex, wood, acrylic, aerosol, 38 x 24 inches
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Mark, 2006-07, 14 c. gold plated brass and clothing item, 13 x 29 x ½ inches
Press
Los Angeles Magazine, (PDF)
11/18/2016 by Natalie Compton
Newcity, (PDF)
12/13/2015 by B. David Zarley
Cultured, (PDF)
01/2015 by Tali Jaffe
Artsy, (PDF)
01/23/2014 by Iris Marden
The Vivant, (PDF)
03/07/2013 by Jennifer Sarathy
Blouin ARTINFO, (PDF)
03/06/2013 by Rachel Corbett, Julia Halperin
Vidette Online, (PDF)
10/28/2012 by Brittany Tepper
Exhibitions at moniquemeloche
WE, on the wall, September 12, 2015 – January 2, 2016
Liberation Summer, May 21 – July 30, 2011
Common Ground, March 14 – April 19, 2008