Brendan Fernandes
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Brendan Fernandes, Kinbaku II, 2019, cast bronze, leather, walnut, and steel, 63 x 23 x 23 inches.
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Brendan Fernandes, Kinbaku Arm, 2019, cast bronze, leather, walnut, and steel, 75 x 32 x 18 inches.
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Brendan Fernandes, Kinbaku I, 2019, cast bronze, leather, walnut, and steel, 63 x 21 x 20 inches.
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Stud I, 2019, edition of 3 + 2 APs, screenprint, 42 1/2 x 36 1/2 inches framed
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Stud III, 2019, edition of 3 + 2 APs, screenprint, 42 1/2 x 36 1/2 inches framed
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Installation View, Contract and Release, 2019. Photo: Nicholas Knight. Copyright The Isamu Noguchi Foundation and Garden Museum, NY / ARS.
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installation view: Contract Release, Noguchi Museum, 2019. Photography Matthew Carasella. Copyright The Isamu Noguchi Foundation and Garden Museum, NY / ARS.
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installation view: Contract Release, Noguchi Museum, 2019. Photography Matthew Carasella. Copyright The Isamu Noguchi Foundation and Garden Museum, NY / ARS.
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Master of Form II, 2019. Images courtesy of the Whitney Museum of American Art.
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In First, In Fifth, 2018, Ash wood with leather, performance score, and black carpet base, 48 ¾ x 24 ¼ x 21 ¾ inches. Installation at the Graham Foundation, Brendan Fernandes: The Master and Form in collaboration with Norman Kelly, 2018.
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In Arabesque, 2018, Ash wood with leather, performance score, and black carpet base, 43 ¾ x 10 ¼ x 10 ¼ inches. Installation at the Graham Foundation, Brendan Fernandes: The Master and Form in collaboration with Norman Kelly, 2018.
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In Cambré à Terre, 2018, Ash wood with leather, performance score, and black carpet base, 50 ¾ x 62 ½ x 44 ¼ inches. Installation at the Graham Foundation, Brendan Fernandes: The Master and Form in collaboration with Norman Kelly, 2018.
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As One IV, 2017, Digital print, 34 x 48 inches
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As One I, 2017, Digital print, 40 x 52 inches
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As One II, 2017, Digital print, 34 x 48 inches
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As One III, 2017, Digital print, 34 x 48 inches
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Installation view, The Language of Objects, Buffalo University Art Galleries, NY, 2017
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Insiders I, 2017, Digital print, 30 x 22 inches
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Insiders II, 2017, Digital print, 30 x 22 inches
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Insiders III, 2017, Digital print, 30 x 22 inches
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Insiders IV, 2017, Digital print, 30 x 22 inches
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Insiders IX, 2017, Digital print, 30 x 22 inches
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1978.412.367, 2010, Neon on Plexiglas backing, with pink cord, 51 x 20 inches
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1979.206.143, 2010, Neon on Plexiglas backing, with purple cord, 35 x 30 inches
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1979.206.200, 2010, Neon on Plexiglas backing, with yellow cord, 34 x 26 inches
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Installation view, Free Fall, 2016
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Installation view, Free Fall, 2016
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Installation view, Free Fall, 2016
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Free Fall, 2016, 49 hand-pulled crystal coat hangers, 5 coat racks, dimensions variable
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Free Fall, 2016, 49 hand-pulled crystal coat hangers, 5 coat racks, dimensions variable
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Free Fall, 2016, 49 hand-pulled crystal coat hangers, 5 coat racks, dimensions variable (detail)
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Support I, 2016, photo-collage and ink on paper, 25 x 19 in. (63.5 x 48.3 cm)
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Free Fall I, 2016, cut-out photo, graphite and thread on paper, 8.5 x 11 in. (21.6 x 27.9 cm)
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Free Fall II, 2016, cut-out photo, graphite and thread on paper, 8.5 x 11 in. (21.6 x 27.9 cm)
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Free Fall IV, 2016, cut-out photo, graphite and thread on paper, 8.5 x 11 in. (21.6 x 27.9 cm)
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Encounter, 2016, hand-blown glass, 20 x 8 x 6 inches (50.8 x 20.3 x 15.2 cm), white: 20.5 x 7 x 6 inches, black: 20 x 8 x 6 inches
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No Body I, 2016, hand-blown glass, 18 x 8 x 5 inches (45.7 x 20.3 x 12.7 cm)
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No Body II, 2016, hand-blown glass, 21.5 x 7 x 7 inches (54.6 x 17.8 x 17.8 cm)
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No Body III, 2016, hand-blown glass, 20 x 9 x 5 inches (50.8 x 22.9 x 12.7 cm)
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No Body IV, 2016, hand-blown glass, 21 x 9 x 7 inches (53.3 x 22.9 x 12.7 cm)
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No Body V, 2016, hand-blown glass, 18 x 6.5 x 6 inches (45.7 x 16.5 x 15.2 cm)
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No Body VIII, 2016, hand-blown glass, 18 x 7.5 x 7 inches (45.7 x 19.1 x 17.8 cm)
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Free Fall, 2016, 49 hand-pulled crystal coat hangers, 5 coat racks, dimensions variable (detail)
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Installation view, Free Fall, Monique Meloche Gallery.
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Installation view, Free Fall, Monique Meloche Gallery.
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Installation view, Free Fall, Monique Meloche Gallery.
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Installation view, Free Fall, Monique Meloche Gallery.
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Installation view, Free Fall, Monique Meloche Gallery.
Press
Flash Art,(PDF)
03/2020 by Cindy Stockton Moore
Artadia, (PDF)
03/2020 by Claire Selvin
Sculpture, (PDF)
01/10/2020 by Gabrielle Gopinath
Flaunt, (PDF)
12/2019 by Morgan Vickery
Art in America, (PDF)
11/2019 by David Everitt Howe
CBC, (PDF)
11/15/2019 by Lise Hosein
Brooklyn Rail, (PDF)
11/2019 by Avram C. Alpert
Hartford Courant, (PDF)
10/2019 by Christopher Arnott
Informa, (PDF)
10/2019 by Holly LaRoche
The New York Times, (PDF)
06/28/2019 by Ted Loos
Artspace, (PDF)
06/28/2019 by Colleen Hochberger
ARTnews, (PDF)
05/28/2019 by Claire Voon
Frieze, (PDF)
05/20/2019 by Evan Moffitt
The New Yorker, (PDF)
5/13/2019 by Betsy Morais
Whitewall, (PDF)
05/06/19 by Eliza Jordan
The New York Times, (PDF)
02/25/19 by Jillian Steinhauer
The Brooklyn Rail, (PDF)
12/11/18 by Lori Waxman
L’Officiel Art, (PDF)
10/02/18 by by Timothy Latterner
Michigan Avenue Magazine, (PDF)
10/1/2018 by Heidi Mitchell and Stephen Ostrowski
Chicago Magazine, (PDF)
9/19/2018 by Kate Sierzputowski
Northwestern Now,(PDF)
9/13/2018 by Stephanie Kulke
NewCity Art, (PDF)
8/30/2018 by Elliott Reichert
Chicago Tribune, (PDF)
8/30/2018 by Lori Waxman
Chicago Tribune, (PDF)
8/30/2018 by KT Hawbaker
Friends of the High Line, (PDF)
07/24/2018 by Ted Kerr
Women and Performance,(PDF)
05/21/18 by Jen Kennedy
Newcity Stage, (PDF)
03/06/2018 by Sharon Hoyer
The Sound, (PDF)
03/01/2018 by Bart Gazzola
ASAP Journal, (PDF)
03/01/2018 by Soo Ryon Yoon
Forbes, (PDF)
01/31/2018 by Ann Binlot
Garage Magazine, (PDF)
01/29/2018 by Osman Can Yerebakan
PIN-UP, (PDF)
By Sean Santiago
Newcity Design, (PDF)
01/24/2018 by Philip Berger
The Architects Newspaper, (PDF)
01/23/2018 by Chelsea Ross
Sleek, (PDF)
Autumn 2017 by Will Furtado
Artforum, (PDF)
08/15/2017 by Wendy Vogel
Urban Glass Quarterly Magazine, (PDF)
Summer 2017 by James Yood
Frieze, (PDF)
07/13/2017 by Ian Bourland
Third World Thematics: A TWQ Journal, (PDF)
05/10/2017 by Sharday Mosurinjohn
Buffalo Rising, (PDF)
04/18/2017
The Argonaut, (PDF)
03/29/2017 by Christina Campodonico
OUT Magazine, (PDF)
03/01/2017 by Madison Moore
Performance is Alive, (PDF)
02/28/2017
Forbes, (PDF)
01/19/2017 by Ann Binlot
Palliate Blog, (PDF)
01/17/2017 by Brad Fiore
Canadian Art, (PDF)
07/21/2016 by Nicolas Brown
The Wall Street Journal, (PDF)
05/12/2016 by Andy Battaglia
The Creator’s Project, (PDF)
03/10/2016 by Antwaun Sargent
Forbes, (PDF)
07/29/2015 by Ann Binlot
The Huffington Post, (PDF)
06/24/2015 by Priscilla Frank
The Seattle Times, (PDF)
06/19/2015 by Gayle Clemens
Studio Magazine, (PDF)
Winter/Spring 2015/16 by Dana Liss
BOMB Magazine, (PDF)
04/15/2014 by Jess Wilcox & Wendy Vogel
Journal for Contemporary African Art, (PDF)
Fall 2012 by W. Ian Bourland
Art in America, (PDF)
05/06/2011 by David Everitt Howe
Artforum, (PDF)
05/01/2011 by W. Ian Bourland
Canadian Art, (PDF)
04/07/2011 by Pandora Syperek
Toronto Star, (PDF)
08/01/2010 by Murray Whyte