Elsewhere, others are sifting the sands of time: At Monique Meloche Gallery in Chicago, Sanford Biggers will soon turn his transhistorical focus on quilts and marble sculptures, while Singapore’s National Gallery celebrates Liu Kuo-sung’s reinvigoration of classic brushwork. And, not pictured, a recent hit returns for its next act—the Hilton Als–curated Joan Didion: What She Means arrives at Miami’s Pérez Art Museum—while 50 years after Picasso’s death, Madrid’s Museo Nacional del Prado puts on Picasso, El Greco and Analytical Cubism, pairing the modernist with the old master. In fresh context, what’s old becomes eye-poppingly new.