160.0 x 53.3 x 50.8 cm
This unique series of cast bronze sculptures presents as bound rope, characteristic of the patterns found within Shibari bondage, a form of BDSM that skillfully utilizes ropes, knots, braids, and harnesses to bind and adorn the body, creating patterns that contrast and complement the natural form. The sculptures are suspended within custom-built armatures designed to emphasize the position each bind would have had on the absent body, confronting viewers with a truly still evocation of the body’s removal, creating monuments to the absences.
The practice of removing the body from forms recalls the artist’s early explorations of the absent bodies of African communities removed from cultural objects by western museological practice, bodies violently halted from carrying out actions of agency and resistance.
This new series of sculptures further builds upon this study, inviting viewers to consider ambiguously present or absent bodies of queer, BDSM and kink practitioners––bodies which have historically been absent from visual spaces and continue to face censorship through ongoing practices of “Community Guidelines” and removal from social media. For these bodies, BDSM represents a space for exploration and release. Acting out consensual roles and scenes of instruction is for many a means of escape. It presents an opportunity to stage situations of real-world oppression similar to that which is frequently imposed upon the queer community, in order to renew a sense of agency and control.
“In my work, the queer body is a political representation of deviation. Who we love, the ways we behave and where we come from are magnified through our bodies. This is especially true for queers of color, whose presence represents an intersection of race, gender and sexual orientation. For too many, this elicits prejudice and violence: in outbursts as we saw with the 2016 Orlando Shooting, and in the daily pressures of discomfort, suspicion, and unwelcomeness expressed toward us by a dominant culture. Our bodies are the site of these struggles. In my work, I explore the possibility that our bodies can also be the site for resistance and freedom of expression.” - Brendan Fernandes
At a pivotal moment where queer bodies are marginalized and BDSM practices are largely demonized, Restrain serves to examine bondage as a metaphor for resistance, pain, pleasure, and freedom, while also examining our society’s penchant for removing the body; its pains and its pleasures; from public discourse and consideration.
