Estoy Bien, an exhibition of new Air Paintings by Candida Alvarez. This is Alvarez’s first exhibition with Monique Meloche and her first solo gallery exhibition in Chicago.
The work of Candida Alvarez is imbued with both personal and formal aspects which evolve through her relationship to color, light, and architectural elements. These unique paintings, on view for the first time in Cicago, originated as proofs intended for an installation as part of the inaugural Chicago Riverwalk Year of Public Art program (2017). The images took on a new resolve after a series of critical events, including the passing of the artist’s father, followed shortly by Hurricane Maria, and her mother’s decision to relocate from Puerto Rico to the United States. Amidst this period of transformation, Alvarez found herself drawn to the comforts of her studio, exploring the shifting panorama of Puerto Rico. Drawing inspiration from a specific phrase widely spoken by the hurricane’s survivors, Estoy Bien (I’m Fine) and the solastalgia of the island as her muse, her proofs took on new life as a series of paintings, serving as a palimpsest of growth and fortitude.
Drawing from the narrative of place, Alvarez pulls from materials in her immediate world and her travels to build dreamlike narratives existing somewhere between fact and fiction. Patterns on the floor, memories from childhood, and photographs function as ways of infusing her world into each painting. This new series of work suspends carefully within an aluminum frame, allowing the image to grow beyond conventional restrictions, presenting as a dual-sided painting. Light plays a crucial role; the use of a paper thin pvc mesh as a canvas allows for light to permeate each image, creating the sensation of color and form existing without boundary, as if each painting can live unrestricted, floating within space.
When creating each image on view, Alvarez engaged what she calls an active search, exploring the world around her with unremitting curiosity, investing thoughtful attention into that which is often deemed ordinary. This process offers Alvarez a unique way of seeing, incorporating material from her immediate world and everyday experience, arranging it in a way that is organic and surprising.
“My work stumbles through what I think of as chatty abstract spaces to reboot both light and space so that they can conjure shape shifting and dream catching. These investigations allow for my paintings and drawings to build abstract narrative structures that mix and remix themselves, interweaving the narrative with the pictorial. My aim is to expand the hybrid space of painting all the while maintaining a crucial connection to daily life.” – Candida Alvarez
Coinciding with the opening of Estoy Bien is the release of Alvarez’s much anticipated and comprehensive monograph, “Candida Alvarez: Here. A Visual Reader”, published by Green Lantern Press. The monograph follows her first major institutional exhibition, “Here”, which was on view at the Chicago Cultural Center in 2017, and will celebrate the artist’s creative career, spanning over four decades. Contributors include Terry R. Myers (Curator of “Candida Alvarez: Here”), Dr. Kellie Jones (Columbia University, New York), and Elizabeth Alexander (President of The Andrew W. Mellon Foundation).
Additionally, a fully illustrated digital catalogue will be produced on the occasion of Estoy Bien at moniquemeloche, featuring an essay by independent curator Melissa Messina.