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Independent Celebrates More Than 50 Museum Acquisitions
Independent, November 26, 2024 -
Fall Fashion: Artists in Their Natural Habitats
Web Behrens, Chicago Magazine, September 23, 2024 -
Tribute and Collaboration: A Review of moniquemeloche presents at Lubeznik Center for the Arts
Alison Cuddy, New City Art, October 14, 2022 -
Beyond the Void: Nate Young on Recreating History and Making Art Anew
Pia Singh , Newcity Art, May 23, 2022 -
The 9 Best Booths at Expo Chicago: From Dazzling Peacocks to New ‘Vogue’ Covers Honoring Black and Indigenous Women Acti
Sarah Belmont, ARTnews, April 9, 2022 -
Meet the curator on a search for Chicago’s next art star
Elly Fishman, WBEZ Chicago, April 6, 2022 -
The 10 Best Booths at EXPO Chicago’s Online Edition
Justin Kamp, Artsy, April 9, 2021 -
A Complex History: Nate Young and Mika Horibuchi Bring Their Labor to the Forefront at Driehaus Museum Exhibition
Jenn Stanley , NewCity Art , November 2, 2020 -
Nate Young: Two Artists Transform the Gilded Age Driehaus Museum in Chicago
Elizabeth Fazzare , Cultured, October 22, 2020 -
Chicago’s Driehaus Museum enlivens its historic mansion with contemporary art
Jonathan Hilburg, The Architect's Newspaper, October 7, 2020 -
‘I want the world to ask, “Why not champion more women, more artists of colour?” ’
Victoria Woodcock, Financial Times, September 18, 2020 -
An examination of Black identity and time
Arionne Nettles, The Chicago Reader, June 5, 2020 -
Mystical Musings: A Review of Nate Young at Monique Meloche
CAIRA MOREIRA-BROWN, NewCity Art, May 22, 2020 -
Dislocation and silver linings: Chicago artist Nate Young on showing new work during a pandemic
Steve Johnson, The Chicago Tribune, May 20, 2020 -
Transcend Time With This Artful Exploration of the Great Migration
N. JAMIYLA CHISHOLM, Colorlines, April 30, 2020 -
On Narrative and Voids: Nate Young In Conversation
THE SEEN Editors, The Seen, April 30, 2020 -
Nate Young: The Transcendence of Time
Art Royale, Support Black Art, April 10, 2020 -
Chicago’s Driehaus Museum has announced the second installment of its contemporary art initiative
Wallace Ludel , The Art Newspaper, February 13, 2020