Carrie Schneider Burning House March 31 – May 12, 2012
on the wall: Kerry James Marshall Black Night Falling: Black holes and constellations February 4 – May 12, 2012
Public reception for the artist Sat March 31, 4-7pm
moniquemeloche is pleased to announce its second solo exhibition with Carrie Schneider. Burning House will open to the public on Saturday, March 31 from 4–7pm and will run through May 12, 2012. For this exhibition, Schneider produced a series of fifteen large–scale color photographs of a house engulfed in flames. Standing alone on an island in the middle of a lake, the small house burns eternally, with each photograph capturing the fire at different times of day, in various seasons and weather conditions.
These striking, cinematic landscape photographs continue Schneider’s interest in representing the psychological by staging uncanny scenarios. The terror of a constantly burning house suggests prolonged duress, a state of continuous panic and high stress that never subsides. However, Schneider’s images are calm. Though the burning house is central in each image, the encompassing landscape – muted and heightened by atmospheric conditions – offers a serene counter to the blazing structure. Seen in series, the sustained fire quickly becomes the constant while the changes in the surrounding nature offer real drama. The house continues to burn while seasons change, as the plants grow and sway in the wind and rain. A continued sense of alarm becomes the new baseline, the standard.
In response to Robert Smithson’s works and writings, specifically those on entropy, Schneider conceived of Burning House to undermine the second law of thermodynamics by creating a fire that never fully destroys a house. However, the artist states, “the longer I worked on the project, I began to feel affinity to Monet and his Haystacks (or, architecturally, the Rouen Cathedral) – the work is a study of light and shadow, meditations on a gesture, repeated.”
Yet behind Schneider’s beautifully composed photographs is a performative process. Understanding photography as residue of a performance, Schneider continues in the photographic tradition initiated by early land and performance artists, like Smithson (consider his Mirror Displacements) and the Cuban performance artist Ana Mendieta (Siluetas). Schneider’s photographs are records of, or memorials to, a type of pilgrimage made over and over again to build something meant solely for destruction. Creating this body of work had a huge impact, both physically and mentally, on the artist over the past two years. Schneider traveled from Brooklyn to remote north–central Wisconsin, built a wooden house, rowed it to a small island, and set it ablaze while capturing the action with her cameras. Then, she did it again. And again. This repeated chain of events has meditative possibilities punctuated by a cathartic crescendo, which the artist has transformed into a slow, steady, and beautiful burn.
There is something iconic, almost archetypal, about a house burning. The aggressive destruction of a symbol of domestic life resonates across cultures, touching on a universal fear of personal loss and helplessness. Yet, the house that stands unrelenting to the fire’s constant attack can be read as an allegory for strength and stamina against a constant destructive energy. Schneider’s series appropriates this powerful image, touching on its ability to incite panic, while creating a symbol of hope.
In addition to the 15–part photographic series on view at moniquemeloche, Schneider’s Burning House project includes a 10–minute video. moniquemeloche will host a debut screening of the video during the run of Schneider’s exhibition. The location, date, and time of the screening will be announced shortly.
Burning House is supported in part by the Jerome Foundation, the Illinois Arts Council, and the generosity of Andreas Waldburg-Wolfegg.
Carrie Schneider (born Chicago, 1979; lives New York) earned her BFA from Carnegie Mellon University in 2001 and her MFA from The School of the Art Institute of Chicago in 2007. Upon graduating, Schneider attended the Skowhegan School of Painting and Sculpture and had a year–long Fulbright Fellowship at the Kuvataideakatemia Finnish Academy of Fine Arts in Helsinki in 2008. Since her last solo exhibition at moniquemeloche in 2008, Schneider has had solo shows at the Museum of Contemporary Art Chicago; the Finnish Museum of Photography Helsinki; The Robert T. Wright Community Gallery of Art, College of Lake County, Grayslake, IL; Galleri KiT/Trondheim Academy of Art Norway; and Gallery Kalhama & Piippo Helsinki. Recently her work was featured in the 2011 Pittsburgh Biennial at The Andy Warhol Museum and in thematic exhibitions at venues including The Kitchen and Higher Pictures in NY, Regina Rex and Dumbo Arts Center in Brooklyn, Columbia College Chicago, Artspace in New Haven, and the Kunsthal Charlottenborg in Copenhagen, Denmark. Her ongoing collaboration with choreographer Kyle Abraham will next appear in a performance series at On the Boards in Seattle April 19–22, 2012. Her work is in the permanent collections of The Art Institute of Chicago, Museum of Contemporary Photography Chicago, and the Centre Canadien d’Architecture, Montreal, Quebec.